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Sous le Pont

by Albert et son Orchestre

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1.
Weeping Willow won’t you sing for me, weeping willow in this strange land I’ll hang my harp on you, weeping willow the river’s overflown and yet I sit alone in the midst of swaying leaves oh weeping willow sees things come and go but weeping willow knows how moments flow they come and go come and go like love lost beneath le Pont Mirabeau oh saule pleureur les choses viennent et vont mais saule pleureur tu connais comment les moments coulent les moments coulent comme l’eau sous le Pont Mirabeau
2.
Under Your Breath hum under your breath a song without words that no one will ever know too shy to sing, hum under your breath what are you afraid to show? morning glory flowers curled up in the dead of night their tangled vines all doubled up again their tangled vines all doubled up again so tap out a tune with those ruby red toes hidden inside black boots in your own world, come out for some air it will do you a deal of good morning glory flowers curled up in the dead of night their tangled vines all doubled up again their tangled vines all doubled up again walk out to the end of a rain battered pier clouded in yellow mist I’ll play an old song on my accordéon for the quietly passing ships morning glory flowers curled up in the dead of night their tangled vines all doubled up again their tangled vines all doubled up again
3.
La Mer Amère ma grand-mère qui boit un océan de café noir soutient la foi de dire santé à la mort ma douce grand-mère qui mange tout la peau des oranges aime cette phrase alors santé à la mort la mer amère la mère amère la mer amère la mère amère la musique heureuse me rend malade elle est trop sucrée pour moi la musique heureuse me fait ras-le-bol les accords me donne le cafard la mer amère la mère amère je sillonne dans une mer amère la mère amère on n’est pas sérieux quand on a vingt ans le nez entre les feuilles on n’est pas sérieux quand on a quatre-vingt ans mais quand même il faut se plonger dans la mer amère la mère amère la mer amère la mère amère
4.
Les Yeux Bleus tes yeux bleus brillent plus claire que la lune cloisonnés en peau charmée l’eau remplit les p’tites lagunes tes yeux bleus brillent plus claire que la lune mais ton visage n’est qu’un reflet dans l’ombre de la fortune je me sens bien avec ton bras comme ça la main posée sur mon cœur restons ici tout la nuit comme ça je m’en fou du bonheur your blue eyes shine clearer than the moon circled in enchanted skin water fills up the lagoons your blue eyes shine clearer than the moon but your face is a reflection in the shadow of fortune I feel nice with your arm like this your hand resting over my heart let’s stay here the whole night like this lying still is an art
5.
"Le Pont Mirabeau" (1912) -Guillaume Apollinaire Sous le pont Mirabeau coule la Seine Et nos amours Faut-il qu'il m'en souvienne La joie venait toujours après la peine Vienne la nuit sonne l'heure
 Les jours s'en vont je demeure Les mains dans les mains restons face à face
 Tandis que sous
 Le pont de nos bras passe
 Des éternels regards l'onde si lasse Vienne la nuit sonne l'heure
 Les jours s'en vont je demeure L'amour s'en va comme cette eau courante
 L'amour s'en va
 Comme la vie est lente
 Et comme l'Espérance est violente Vienne la nuit sonne l'heure
 Les jours s'en vont je demeure Passent les jours et passent les semaines
 Ni temps passé 
 Ni les amours reviennent 
Sous le pont Mirabeau coule la Seine Vienne la nuit sonne l'heure
 Les jours s'en vont je demeure
6.
Rusted Hope 03:14
Rusted Hope she didn’t break my heart but dug a hole four inches deep into my chest and placed a glowing ember ember, it burns with violent hope the kind of hope you wish you never had, the kind of hope left after evil released rusted hope, violent hope violent hope, rusted hope at least I got it all out regretting the day I mailed Pandora a little rusted thing labeled ‘the key to your dreams’ a bit cliché I know but when there’s an ember scalding your solar plexus originality is far from the first thing that comes to mind rusted hope, violent hope violent hope, rusted hope rusted hope, I have hope
7.
Kiss Me Eurydice I wind myself up in a spiral staircase beneath Parisian tunnels and canals en dessous des sous-sols et des tunnels je m’enroule dans l’escalier en spirale the crowd dies for a foggy breath of air in the hum of green florescent lights dans la lumière verte et fluorescente la foule meurt pour un souffle suffocant kiss me Eurydice, Eurydice embrasse-moi kiss me Eurydice, Eurydice embrasse-moi kiss me Eurydice, Eurydice embrasse-moi kiss me Eurydice, Eurydice embrasse-moi we climb a rusty ladder to the surface but you vanish in a tired glance at dawn on monte une échelle rouillée à la surface mais tu t’évanouis dans un coup d’œil jeté kiss me Eurydice, Eurydice embrasse-moi kiss me Eurydice, Eurydice embrasse-moi kiss me Eurydice, Eurydice embrasse-moi kiss me Eurydice, Eurydice embrasse-moi
8.
Instrumental
9.
Voice from Heaven there’s sand stuck to my feet that’s been there for a week I brush it off the bottom of my sole onto the floor it spreads to the corners of my room a thousand words I have heard a voice from heaven calling me back down to earth follow me and follow swiftly all the days we’ve spent in mirth look at all the things that we can leave behind traveling on an empty mind look at all the things that we can leave behind boxes, stacks and… I have found a voice from heaven calling me back down to earth follow me and follow swiftly all the days we’ve spent in mirth what is love without the hunger? what is love without cliché? now I hear a voice from heaven calling me to please explain look at all the things that we can leave behind traveling on an empty mind going away with a pocked full of sand and a thousand words
10.
Don’t Be Cruel to Me well you can be anything you like but don’t be cruel to me, ma sucette through away to the ticket to your flight but don’t be cruel to me you know I’ve been gone awhile and I’ve only just begun what I’ve give to see your smile I’d swim across any océan so you can be anything you like but don’t be cruel to me, ma sucette I guess I’ll pass another lonely night so don’t be cruel to me
11.
I’d Rather Sing to My Dogs I’ve sung for the prince of Egypt in the seizième arronissement I’ve sung in a noisy bar I’ve sung in a noisy bar But nobody tipped my jar I’ve sung in a park and people passed me by I’ve carried a tune on the métro I’ve carried a tune on the métro feeling a little bit retro but I’d rather sing to my dogs I’d rather sing to my dogs I’d rather sing to my dogs cause my dogs listen to me they may forget the words I say but my dogs understand my mood but my dogs understand my mood especially when it’s time for food rhythm and music my dogs got they wag their tails to the beat they wag their tails to the beat or maybe just the smell of meat so I’d rather sing to my dogs I’d rather sing to my dogs I’d rather sing to my dogs cause my dogs listen to me
12.
Out of Nowhere (Edward Heyman) you came to me from out of nowhere you took my heart and found it free wonderful dreams, wonderful schemes out of nowhere made every hour sweet as a flower to me and if you were to go back to your nowhere leaving me with a memory I’ll always wait for your return out of nowhere hoping to bring your love back to me
13.
Dark Eyes (Russian Traditional) Ochi chornyye, ochi strastnyye Ochi zhguchiye i prekrasnyye Kak lyublyu ya vas, kak boyus' ya vas Znat' uvidel vas ya v nedobryi chas oh those dark eyes, oh those burning eyes of those passionate eyes, how I love your eyes how I love you, how I fear you when I saw you in that moment

about

'Sous le Pont' (Under the Brige) is an homage to Guillaume Apollinaire's poem 'Le Pont Mirabeau." Breathing new life into the Gypsy Jazz tradition, Albert croons original songs in French and English on the accordion. He is joined by guitar virtuoso Vic Wong, violinist Alen Cileli and Kenan O'Brien on double bass. A California native, Albert lived in France for several years, absorbing the language and the joie de vivre. He honed his accordion and vocal skills in the Jazz Manouche jams of Paris, where Django Reinhardt's lineage still burns bright. Albert's songs evoke tragic love, Greek mythology, and the slums of 1930s Paris. He has performed with the Kronos Quartet and is now based in Brooklyn, NY.

credits

released November 1, 2012

Crooner / Accordéon - Albert Béhar
Guitar - Vic Wong
Violin - Alen Cileli
Upright Bass - Kenan O'Brien

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ALBERT et son ORCHESTRE Brooklyn, New York

Breathing new life into the Gypsy Jazz tradition, Albert croons original songs in French and English on the accordion. He is joined by guitarist Vic Wong, violinist Alen Cileli and Kenan O'Brien on double bass. He honed his accordion and vocal skills in the Jazz Manouche jams of Paris. He has performed with the Kronos Quartet and is now based in Brooklyn, NY. ... more

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